I am stuck in the birth canal, inside my mother. All that Doctor Kaizer can see is a tiny patch of my head; pink and blonde. Everything else is swollen folds of red skin stretched into circles and covered in blood, mucus, discharge, remnants of broken water.
My tiny eyes are still shut. Forced shut by being pressed up against the walls of the tunnel everyone is trying to get me out of. So I don’t see the “vanity screens” wheeled around my mother in the labor room, with faded lime cloth scrunched onto the upper and lower rods of a shiny silver frame. Or the hospital-issue, light blue sheet tented over her lower body, her legs stirruped in icy metal holds. Don’t see the white-uniformed nurse handing polished steel tools to the doctor. Or the steel kidney bowl that holds these scalpels, surgical scissors and the glossy new clamp that will grip my umbilical chord when I am finally born. Don’t see my dad holding my mom’s hand but unable to look anywhere near me, or where I’m coming from. Continue reading
Tina Turner blasts through speakers that aren’t supposed to be played at their maximum. The deejay sips a fresh, satisfying brandy and coke. He surveys the crowd, smiling, ignoring the cracks and tears pounding out of his tripodded black boxes.
You’re simply the best.
Better than a–ll the rest.
The song is rolling down from one of its crescendos. Many of the folks on the dance floor are howling along with the lyrics, some half a note behind but not caring to catch up. Mom and Dad are facing each other, slightly apart from the cacophony. Every now and again, though, they’ll look over at the mass of arms and legs and bobbing heads, and smile. She’s dancing the way she always dances: shoulders straight, body moving side-to-side, feet taking turns tapping neatly behind the heel of the other. Her arms swing gently to the beat, elbows stiff and wrists limp. The gold bangles from three special Christmases and two birthdays clink against each other and her auburn hair, blown dry in one slow inward curl, sways from shoulder to shoulder. Dad is pretending to be Bruce Springsteen: one leg in front of the other, body open, fingers snapping in a big half-circle, hips following the lead of his clicking fingers, back knee too. That’s exactly how the arm-jabbing rock star does it when he’s beamed onto our curved TV screen from concert stages far away from here. Continue reading