It is always brown somewhere in South Africa.
During the frostbitten winter, it’s the flat Highveld that cracks and curls up in chocolate squares of parched soil. These gold- and diamond- and crop-littered plains get their rain in the summer, sometimes in abundance, sometimes not. In the winter that wetness becomes a forgotten fantasy that is swept away in howling dust storms and hearsay. The June air fills with static, the tall grasses splinter, the sky becomes a lighter blue and sunlight is thinner. Dryness envelops the meadows and fields. The earth below loses all its moisture. The land above cracks and curls and parches. In the Highveld winters, the deepest hardness of Africa is seen and felt in its brittle brown ground.
In the searing summer months, it is the fringe of land along the coast—the southern curve of Africa—that tans a deep cocoa in its endless sunshine and on its blonde beaches. These provinces lie south of the Highveld and get fed on an opposite schedule to their upcountry neighbours, when winter fronts arc up from Antarctica with rain and melancholy. In summer, sunburn makes everything tawny, thirsty. Life, previously green, shrinks and shrivels in the hot, deep, dry days of December. The navy of the distant mountains turns deep purple in the bake and the rare flora, found on them and nowehere else in the world, becomes brittle and brown in this cycle of dryness that they know very well. In the Cape summers, a paradox of Africa is felt in the joy of the arid heat and the life it sucks out of the soil.
I am stuck in the birth canal, inside my mother. All that Doctor Kaizer can see is a tiny patch of my head; pink and blonde. Everything else is swollen folds of red skin stretched into circles and covered in blood, mucus, discharge, remnants of broken water.
My tiny eyes are still shut. Forced shut by being pressed up against the walls of the tunnel everyone is trying to get me out of. So I don’t see the “vanity screens” wheeled around my mother in the labor room, with faded lime cloth scrunched onto the upper and lower rods of a shiny silver frame. Or the hospital-issue, light blue sheet tented over her lower body, her legs stirruped in icy metal holds. Don’t see the white-uniformed nurse handing polished steel tools to the doctor. Or the steel kidney bowl that holds these scalpels, surgical scissors and the glossy new clamp that will grip my umbilical chord when I am finally born. Don’t see my dad holding my mom’s hand but unable to look anywhere near me, or where I’m coming from. Continue reading
My mom is a person of perfection. She is elegant and tall and made from obedience. She is also made to be obeyed. Throughout my primary school years she insisted on piano lessons, extra-mural activities and academic achievement. In the shadow of her pointed finger and clanking gold bangles I spent half an hour before school practicing my scales and every weekday afternoon struggling to perfect things like chess and hurdles and my twelve times table. Then things shifted: One ordinary afternoon her car revved up our farm’s driveway and brought with it its usual fume of panic and “have-I-done-all-my-chores?” But when she pulled open the glass sliding door and stepped into the kitchen, I knew that today the first question wouldn’t be, “Is all your homework done?” Something significant had happened. Her eyes were alive in a new way; not tired or frustrated from the daily rub of farming and expectations. Instead bright and excited, relieved. And in her hand she held up a big, white envelope. Continue reading